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Moving Pictures: The History of Early Cinema

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When the husband strays, it is the other woman (Sushmita Sen) who is blamed for the same and is demonized all through the film. The husband is absolved of adultery and he returns to his legitimate partner i.e. the wife at the end of the story. The significance of the title i.e. Biwi no.1 is because the wife is successful in bringing the husband back to the domestic arena – seen as the victory of the „traditional‟ (wife) over the „modern‟ (mistress/vamp). Such a portrayal has strong moral connotations associated with it. .