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The two artists began a heated discussion and came close to exchanging blows.1 This encounter can be taken as a defining moment in the twist taken by the personal and artistic career of Villa-Lobos as a result of his stay in Paris: it was only after this trip that he began to focus his efforts on producing a national form of music. The present article attempts to comprehend why this twist occurred at this moment and why Villa-Lobos’s artistic project assumed this specific content thereafter