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Huntington’s Borghese Style Urn as a Study of Two-Dimensional Art & The Production of a Piece of Two-Dimensional Art

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Confronted with painting as a predetermined discipline, the artist escapes its dictates by adding physical depth, in the same way that Donald Judd abandoned his early painting in favour of creating works of art which were more tangible and concrete. Judd creates a situation where colour is isolated from its objectness by the reflective and refractive nature of the materials chosen, while Schnabel seeks to harness the physical qualities of the available materials in his work.