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The Art of Poser and Photoshop- P5

The Art of Poser and Photoshop- P5:Before you dive into the first chapter, be sure to download the content and images from www.chromeallusion.com/downloads.html. You will see the title of the book in bold and below that, you will find the files you need. Please download the files for each chapter and place them into a main folder named Tutorials. You will be asked to reference the images from that folder as you work through the tutorials throughout the book. Of course you will need Poser Pro and Photoshop CS4 as well | 108 The Art of Poser and Photoshop The Official Guide Figure 2.21 Results of the transition to spot light 3. Now you re ready to modify the spot light to match the directional lighting in the scene.To make the light visible in the scene click the Toggle Lights button which is the third icon from the right on the bottom of the 3D Lights panel. Then use the light s navigational tools to position it to the left and above the 3D model see Figure 2.22 . Note Hardware acceleration is required for this feature. That means your video card must be able to render textures and light effects in an Open GL environment. Open GL allows you to see the results of the texture without rendering. Older systems may not be able to render lights if the computer has an older graphics card that lacks the required 3D acceleration. Use the specs in Chapter 1 Poser and Photoshop Interface Overview to see if your system meets the minimum requirements. If not you will have to position your lights in Poser Pro and re-export the head. Chapter 2 Creating a Profile Carved in Stone 109 Figure 2.22 Position the lights to match the direction of the scene s light source 4. The angle of the light source is too narrow so you need to widen it using the Falloff option. Widen it so the light affects the entire shape see Figure 2.23 . This example uses a 60-degree width but feel free to play around with it to get a result that you feel is more satisfactory. Note that the hotspot is the strength of the light concentrated in the center of the overall falloff. 5. The color of the light appears a little gray. Click on the color swatch located next to the Color designation midway down the Light Source panel. Choose white for the color of the light. Figure 2.24A displays the original color and Figure 2.24B shows the color chosen to brighten up the light source. Figure 2.25 shows the results of the color change. 6. Experiment with all of the lights in the scene and try to achieve what you see in Figure 2.26. Try .