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The Adobe Photoshop CS5 Book for Digital Photographers part 29

The Photoshop CS5 Book for Digital photographers part 29 is full-color, graphically rich, and contains project-based examples of every key step in the digital photography process. Integrating all the newest features of Photoshop CS5 into the book’s workflow, Scott shows readers how to work with their images like a pro, from importing to organization to correction to output. In addition to fully updating the book for CS5, Scott has also added a brand new chapter, which lets readers in on his entire, personal post-processing workflow by incorporating his popular 7-Point System into this book | The Adobe Photoshop CS5 Book for Digital Photographers Step 13 We need a selection around this layer again so press-and-hold the Command PC Ctrl key and click on the top layer s thumbnail to load it as a selection. Once the selection is in place we re going to need to get a blend of all the background colors so go under the Filter menu under Blur and choose Average. Step 14 It doesn t bring up a dialog or anything it just does its thing and creates a blur that averages all the colors in the selected area together as shown here . Press Command-D PC Ctrl-D to Deselect. It doesn t look right yet but it will in just a moment. Continued Fixing Common Problems Chapter 9 261 The Adobe Photoshop CS5 Book for Digital Photographers Step 15 To make this blend there are two things you need to do 1 change the layer s blend mode from Normal to Color so just the color shows through instead of being solid and then 2 lower the Opacity to around 15 so a hint of the Average blur color from the background appears as a tint over your subject and this ties the color of the two together as seen here where her overall color is more muted like the background colors . Step 16 This last step is totally optional and is based on the-depth-of field project we did earlier in this chapter but you can add a blurred effect to the background image to make it look like the photo was taken using a wide-open f-stop to get a very shallow depth-of-field. You do that by clicking on the layer that has your background image Layer 1 here then going under the Filter menu under Blur and choosing Lens Blur this gives a more realistic depth-of-field blur than a standard Gaussian blur . In the Iris section in the middle set the Radius amount to 44 that s the amount of blur then click OK to get the final effect you see here. 262 Chapter 9 Fixing Common Problems The Adobe Photoshop CS5 Book for Digital Photographers When using an off-camera flash on location most pros put an orange gel over the flash to warm the .