The links between Women‟s Studies and Cinema are evident. After the women‟s movement, the field of women‟s studies has allied with almost every discipline to provide an alternative perspective of knowledge and reality as viewed by the practitioners and academia of the discipline. Feminist theory took up a distinct stance in relation to the objectification, exclusion and silence of women in cinematic narratives. It also evaluated the stereotyping of female characters in cinema. For eg: In „Visual Pleasure and Narrative Cinema‟ (Laura Mulvey, 1975), the male character was identified as the driver of the film‟s narrative, the character followed.
