Several Oscar shows during the decade presented themed montages by other filmmakers, on women in cinema (by Lynne Litman), the work of the cinematographer, and on the activity of going to the movies (by Mike Shapiro and John Bloom respectively, both uncredited). The 67th show (1995) presented a tribute to comedy that incorporated a credited Workman montage with a dance number where onstage stars interacted with the screen. And Workman montages were highlighted in the 70th through 72nd shows (1998- 2000), on Oscar acceptances, “great moments,” and history in film. Interestingly,.