The thesis is a hermeneutic study: it wants to interpret ugliness in fashion. In exposing the mechanics of fashion, in revealing the seams as it were of those traditional drivers of fashion – beauty and glamour – we see the destruction of the illusion of fashion and an unknotting of many of the certainties around how and why we dress the way we do. Thus dressing poor represents a willful instability in its relationship to beauty and offers an alternative way to think through the history of fashion. |