Writing the short film 3th - Part 3. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | 4 Writing the Short Film France are devoted to short films including fictional experimental documentary and animated films. Besides CILECT a growing number of film festivals worldwide have short film categories. Chicago Toronto and even Cannes show short films and all of these festivals have been important launching points for the careers of the filmmakers. But both the CILECT-sponsored festivals and the larger international ones highlight short films as a path to the production of longer films as an apprenticeship experience rather than an end in itself. Unlike the short story which continues to be a lively viable form the short film is not widely and internationally recognized as something to which artists devote their careers. Nevertheless we believe that just as the short story has experienced a renaissance in the past 15 years so too it seems that a new and longer-term interest in the short film is developing recent cable programming initiatives and specialty market developments suggest that it too may experience a renaissance. One of the more promising developments at present for the short film is the combining of three or more shorts to produce a film that can be marketed as a feature. A recent example of this is writer director Rebecca Miller s well received first feature Personal Velocity 2002 three short films of under 30 minutes each which are unified by theme rather than location or use of the same actors. Each main character is a woman on the verge of a major change in her relationship to the man she lives with and to the world. In the past anthologies such as 6 in Paris Paris vu Par . . . 1964 made up of six short films with six different directors such as Godard Chabrol and Rouch were marketed as features. In this case what unifies the film and makes it a viable whole is the fact that each short is located in and represents life in a different district of Paris. Another such successful anthology shot by directors such as Cavalcanti and Deardon is the
