Real World Camera Raw with Adobe Photoshop CS- P9: If you're reading this book because you want to be told that digital really is better than film, look elsewhere. Those discussions tend to generate a lot more heat thanlight, andifyouaren't at least contemplatingshootingdigital for some or all of your work, this book isn't relevant. | 222 Real World Camera Raw with Adobe Photoshop CS colorimetric interpretation 9-10 editing headroom 7 4 exposure adjustments 10-11 limitations of raw workflow 11-13 noise reduction 11 sharpening 11 white balance control 8-9 Allow Background Processing option 115 147 antialiasing and raw converters 5 Apply Camera Raw Settings command 116 130-131 157 158 Apply sharpening to option 46 69 96-97 archiving raw images 143-144 arrays of sensors 2-4 Automate menu File Browser 115-116 157 158 165-166 automation actions. See actions Batch. See Batch dialog box batch operations Contact Sheet PDF Presentation 165 209-212 Picture Package 166 213-215 scripting 218 Web Photo Gallery 166 B background processing File Browser 115 147 backup copies of images 142-143 144 Banner options Web Photo Gallery 216 Basic mode 42 Batch dialog box Destination section 196 197 208-209 Errors section 196 197 Play section 196 197 Source section 196 197 208 batch operations. See also actions Batch dialog box applying settings 134135 165 198 201-202 205-206 Batch feature 134-135 165 bypassing Camera Raw interface 134 color space conversionsin 199 destination for processed images specifying 197 208-209 error handling 197 file names in batch operations 134 159-161 opening image files 198 201 204205 208 oveniew 165 196 renaming images 208-209 running batch operations 199 savingimage files 134 198-199 202 206-207 source images selecting 197 208 208 Batch Rename command Bayer Pattern color filter arrays 3 views bit depth. See also 16-bit vs. 8-bit channels 8-oil channels 18 19 16-bit channels 18 19-20 Depth output setting 47 71 dynamic range us 18 black clipping. See clipping shadows black shadow clipping 25 clipping display 75-76 89-92 data loss avoiding 24-25 Shadows control adjustments 32-33 52 53-54 55 82 89-92 Blue Hue control Blue Saturation control blue yellowfringing correcting 100 101-102 brightness. See also Brightnesscontrol gamma overview 20-21 Brightness control 52 54 .
