Historical Dictionary of Modern Chinese Literature 9 presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature. | 52 GENERATION III POETS drops the philosophical propensity of his previous works to tell the story of a young woman and her romantic relationship with a revolutionary at the beginning of the 20th century the last years of the turbulent reign of Emperor Guangxu 1871-1908 . In this love story intertwined with history Ge Fei crafts a utopian tale laced with exquisite sensuality and poetic sentiments. Ge Fei s scholarly works include Xiaoshuo yishu mianmian guan Various Facets of the Art of Fiction and Xiaoshuo xushi yanjiu Studies of Narrative Techniques in Fiction . He has been teaching literature at Qinghua University in Beijing since 2000. GENERATION III POETS DI SAN DAI SHIREN . NEW GEN-ERATION POST-MISTY POST-NEW WAVE CONTEMPORARY EXPERIMENTAL POETS. The generic term covers diverse poetry societies including the influential Feifeists Rejectionists led by Sichuan poets Zhou Lunyou Lan Ma and others the Xin chuantong Neotraditionalists also based in Sichuan with Ouyang Jianghe and Liao Yiwu as its leading advocates the Mang han Reckless Man also concentrated in Sichuan headed by Wan Xia Hu Dong and others the Tamen They in Nanjing represented by Han Dong Yu Jian Wang Yin and others and the Haipai Shanghai school embodied in the works of Chen Dongdong Momo Meng Lang and others. The term also includes many individual poets who do not officially belong to any of the above organizations such as Zhang Zao Zhai Yongming Wang Jiaxin and Xi Chuan. For the Generation III poets the year 1986 was a turning point. Zhongguo xiandan shi qunti da zhan The Grand Showcase of Chinese Modern Poetry Movements organized by Xu Jingya editor for Shenzhen qingnian bao Shenzhen Youth Daily and Jiang Weiyang editor for Anhui Shige bao yuekan Anhui Poetry Monthly provided a platform to display their work. In both theory and practice Generation III poets differ from those of Generation I who were direct products of the May Fourth Movement and whose poetry is dominated by romanticism and
