Thay đổi chế độ hoà trộn của lớp hiện tại để ghi tuyến tính. Đừng hoảng hốt chỉ được nêu ra. Chúng tôi sẽ cải tiến này ngay bây giờ. Nhân đôi layer và sau đó thay đổi chế độ hoà trộn của bản sao với ánh sáng cứng. | HB Chapter 16 Creature Architecture Chapter 16 Creature Architecture Looking at this beautiful creature before you it is difficult to imagine that it is nothing more than a simple model shot combined with various photographs of stone textures and architectural details. In a composition like this the images provide the raw materials but it is the Photoshop process that allows you to dissolve the boundary between photographic collage and stunning illustration. Things as basic as blending modes layer masks and layer groups are much more powerful than they seem. When features are used together as a means to an end rather than on their own the resulting imagery is always much more than the sum of its parts. The process of creating an image like this may seem daunting at first but once you get started the logic reveals itself and you will find yourself perfecting this stacking technique until it comes naturally. Here I ve decided to make a beautiful stone alien by adding snapshots of architectural details to her face. However as is evident in the showcase images at the end of this chapter this illustrative effect can be achieved with anything it doesn t have to be stone details it can be leaves or whatever you like. DIFFICULTY 5 With the exception of channel usage there is a bit of everything in this chapter. In places you ll be required to create paths. In others you ll perform a number of layer creation masking and grouping tactics. You will duplicate things flip them around place groups within groups and so on. No single aspect of this project is extremely complicated however it is the abundance of things you must do that may prove taxing to inexperienced users. 297 IB 16 Part Four Illustrative Photography What you ll learn in this chapter Creative Techniques and Working Methods Stacking and duplication As is often the case in Photoshop something vast and complicated in appearance is merely the result of repeating an integral procedure over and over again. In .
