Tất cả các quyền Không có phần nào của eBook này có thể được sao chép, truyền đi dưới bất kỳ hình thức nào hoặc bất kỳ phương tiện, cơ khí, điện tử, ghi âm, hoặc nếu không, không có sự đồng ý bằng văn bản của Nhà xuất bản tạo tại Hoa Kỳ | By positioning the letters at staggered Intervals around the format and then rotating the formation in the background the designer creates not only a dynamic set of positive and negative intervals but also optical motion and a perception of shifting between background and foreground. Stereotype Design United Slot DECORATION FOR DECORATION S SAKE. HARD TO IMAGINE IT WAS FROWNED UPON UNTILRECENTLY now PURITY is out and PATTERNJS VERY MUCH IN. HENCE THE VENEER OF ORNAMENT THAT ENVELOPS so MUCH OF CONTEMPORARY design SOMETHING SIMILAR IS SWEEPING THE world OF OF the WORK ON THE FOLLOWING PAGES DERIVES ITS POWER FROM THE APPLICATION OF SURFACE DECORATION. AND WHO BETTER O APPLY IT THAN THE REAL SURFACE SPECIALISTS ENTER THE ILLUSTRATOR THỆ GRAFFITI SPRAyEli THE STRiET ARTIST. THE FẠSHI N pHÕTỌGRÁẶHER and many MORE masters of flat SPACE. WELCOME TO THE GRAPHIC ZONE. The extremely large type and texture in the background appear to pull to the left against the edge of the page while the white block appears to move to the right. The left alignment of the text block creates a vertical movement. never mind the ambiguous foreground and background state. Coma Neihrrlúrtds C9 Move it Static equals dull. People make a weird assumption about two-dimensional visual stuff and that is it s flat and lifeless Go figure. This is why painters and designers have been working like dogs for 1 000 years to create the illusion of three dimensional movement on a flat surface to fool the viewer into having a moving experience If a layout is clearly flat and fails to offer a sense of movement or spatial interaction a state that is relatively easy to achieve the viewer s brain is likely to be uninterested enough to hang out and see what the message is. static compositions say You ve figured me out. so walk away nothing to see here DESIGN ELEMENTS Twenty Ruk i for Making Good Defign Q Look to history but don t repeat it. By appropriating the coarse slightly washed-out imagery of .
