the animator s survival kit phần 4

trình duyệt tập tin Windows Explorer như một phần của Task Pane, như thể hiện trong hình . Chú ý rằng nó có một thư mục cho các tài liệu đang mở trong SolidWorks Cách dễ nhất để định hướng lại quan điểm là sử dụng công cụ Xem Rotate trên thanh công cụ View. Đây quay xem trong mặt phẳng của tờ giấy giống như nó xoay mô hình trong 3D. | In the early days speed lines were a hangover from old newspaper strips Then they were used in animation to help carry your eye. But they re still around now when we don t really need them. You don t even need to show the arrow entering. We have nothing and then it s just there - maybe with the tail vibrating. IV o Thing Just Sliovi v p POHT V0SD Sparks ỀtntiĩỊT IF Tie ANIMATION MAS POWfR A NOMTNEfT LlTTté SpACK MNĩS AISổuNP IT To Ổ- VẾ T Strength. However I find the elongated or long-headed inbetween is very useful - not just for a zippy cartoon effect but also for use in realistic fast actions 98 Again we re returning to the original purpose - emulating the transparency of broad live action blur movements. It s especially suitable with soft edge loose drawings - where the outlines aren t sharp and enclosed like colouring book drawings. 1 u . ----- L - ri L L - A. - MV-- 7Ẵ M ƠƠỊÍ. eEGlNNpbs MiSTAFFJ Doing too much action in too short a space of time . too great arm and leg swings in a run. The remedy go twice as slow. Add in drawings to slow it down - take out drawings to speed it up. Ken Harris told me that when Ben Washam was starting out at Warner s he became famous in the industry for Benny s Twelve Frame Yawn . Ben drew well and made twelve elaborate drawings of someone going through the broad positions of a yawn - an action something like this Then he shot it on ones. Zip It flashed through in half a second So then he shot it on twos. ZZZip It went through in one second So then he inbetweened it twenty-four drawings now and shot it on twos. ZZZZZZ It went through in two seconds - almost right. Then Ken showed him how to add some cushioning drawings at the beginning and end - and bingo Ben s on his way to being a fine animator. pjjff 1apppcacmj Some animators want to save themselves a lot of the work so they draw very rough. Ruff -they don t even want to spend the time spelling rough . Too many letters in it to waste our valuable time . . And they leave .

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