Theo Bracht, trong giai đoạn đầu của dự án Crown Prince-người sau này ở lại đi từ bức tranh toàn cảnh hoàn toàn - đã cố gắng thay đổi của nó Negroponte, Nicholas và Richard A. Bu lông. Năm 1976. Tăng thêm nguồn nhân lực trong chỉ huy | are obliged to travel long distances to a festival to see a stand-alone installation of a much-discussed virtual work that is rarely on show owing to the expense involved. In theory it would be possible to replicate this work any number of times but in practice it is seldom to be seen in its spatially polyvariant form and the image worlds it generates differ each time it is viewed. Digital form permits almost infinite variability of the image but this bears no resemblance to the manipulation of photographs or video recordings. Although it will not be detectable later all individual elements of the image can be changed pixel by pixel as well as its totality for example by changing the color or contrast In good light humans can distinguish between about 10 000 shades of color. The latest generation of computers which can produce million colors through finely adjusted combinations of the primary colors of light red green and blue exceeds by far what humans are physiologically capable of distinguishing. However it is still not possible for computers to create true colors reflected by solids. The appearance of images rarely reveals any information about the code on which it is based. Although storage conventions determine precisely what kind a certain file is vastly different quantities of data may exist without affecting the appearance of the image in any way. One line of programming for example is sufficient to determine the size and position of a hatched square. However if we define each single line then the same shape requires a data file of enormous size. The code is invisible at the surface so it is impossible to say anything about the structure of the code which may be chaotic and dirty or organized and clean. Conversely the code will not tell us anything at all about the complexity of the image. Digital imagery is not tied to a particular carrier medium and thus their manifestations can have many different formats and types fig. . .
