The German musical genius Richard Wagner (1811-1883) could be considered to be one of the ideological fathers of early 20th century German nationalism. He was well-suited for this role. Highly intelligent, sophisticated, complex, capable of imagining whole systems of humanistic philosophy, and with an intense need to communicate his ideas, he created great operas which, in addition to their artistic merits, served the peculiar role of promoting a jingoistic, chauvenistic kind of Germanism. There are things in his operas that only a German can fully understand, especially if he would like to see his country closed off to outsiders. It is unlikely, however, that Wagner expected.
