The ambiguity in Judd’s sculpture relates to most of his sculptures conforming to box like constructions that rely on the precision of the right angle, the consequence of this is that just as square boxes have four sides, so do his sculptures, and in having four sides they can be said to be made up of parts, no matter how pervasive the quality of the orthogonal and the square are. Further to this, the repetition of squareness without variation can result in a work having little or no aesthetic significance, what is required therefore is the addition of a ‘different’.
