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Writing the short film 3th - Part 14

Writing the short film 3th - Part 14. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | On Revision Substance and Sytle 81 Humiliating or painful experiences often provide story material that can lend itself equally well to comedy as to melodrama or even tragedy. Everything depends on the writer s point of view his or her take on the events portrayed. It might be useful at this point to look over earlier written assignments with as objective an eye as you can manage. As a writer what is your usual take on things You will find that if you follow your natural bent rather than try to go against it both writing and rewriting will be easier. To illustrate consider two films by Woody Allen which he both wrote and directed Interiors a studied dour melodrama much influenced by the work of Ingmar Bergman whom Allen rightly regards as a master and the semi-autobiographical comedy Annie Hall influenced by any number of screwball comedies including earlier films by Allen himself. Each film concerns itself with humiliation and psychological suffering but Interiors uses the raw material for melodrama resulting in a resounding dud while Annie Hall mines a similar lode for comedy and turns out to be a comic masterpiece. It is also worth remarking that while it is possible even desirable to have broad comic scenes in melodramas such as Citizen Kane The Big Sleep and Unforgiven these films are features in which there is plenty of scope to pull off changes in feeling-tone without disorienting or even alienating the viewer. Still if the challenge of trying to pull off this feat in a short script interests you it is certainly worth attempting in an early draft. ON RESTRUCTURING YOUR SCRIPT More questions Does the structure of your story work as well as it could Looked at retrospectively from end to beginning do the events make a satisfying dramatic arc from climax back to catalyst In life for the most part things happen as they will not necessarily in any kind of orderly way while in art and especially in the art of dramatic writing things should happen as the writer .