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Writing the short film 3th - Part 46

Writing the short film 3th - Part 46. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | Short Screenplays 305 DISSOLVE to a TWO-SHOT as the MAN puts his hand on LUCY s bare arm then runs his fingers over her shoulder. She is still. He moves his fingers to her neck. DISSOLVE to a CLOSE TWO-SHOT of LUCY and the MAN. He leans toward her she backs away slightly then steadies herself. DISSOLVE to an EXTREME CLOSE-UP of IRIS s eyes. She blinks slowly. CUT to a MEDIUM CLOSE-UP of LUCY and the MAN as he leans forward and moves her hair off of her shoulders. He slowly breathes the scent of her neck and face. DISSOLVE to IRIS twirling her hair in her fingers lazily. CUT to a CLOSE-UP straight on of LUCY s face. She closes her eyes. DISSOLVE to a straight-on CLOSE-UP of IRIS. She closes her eyes. CUT to MEDIUM SHOT from the side of IRIS standing at the window. Her hands are splayed on the screen. She sways back then steadies herself. DISSOLVE to a CLOSE-UP of LUCY. The man suddenly fills the frame. He is kissing her. DISSOLVE to a CLOSE-UP of IRIS touching her mouth. CUT to a CLOSE-UP of the MAN s hand as it pulls on the fabric at LUCY s waist. DISSOLVE to a CLOSE-UP of his other hand as his fingers run through her hair. He pulls it back slightly. CUT to IRIS standing at the window breathing evenly eyes closed. DISSOLVE to a CLOSE-UP of the clock. FADE UP on the sounds of PULSES and TICKING. 306 Writing the Short Film CUT to an ECU of LUCY s fingers as they find the belt hooks of the MAN s jeans. CUT to a MEDIUM TWO-SHOT of LUCY and the MAN. His hands move up the length of her nightgown. DISSOLVE to an ECU of the MAN s teeth as they hook on LUCY s lower lip. CUT to a CLOSE-UP of IRIS waking abruptly. IRIS breathless Lucy it s time to come home . . . it s time . . . CUT to a WIDE SHOT at ground level of LUCY standing on the dark part of the lawn. She is serene and unruffled. She wanders around the lawn until she recognizes the trellis. The MAN and the MOTORCYCLE are gone. She starts to climb the trellis. IRIS lifts the screen window and helps her into the room. .