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The Practice & Science Of Drawing phần 5

Trong chương về hoạt động dòng, nó đã nói rằng: "Ngành, nghề bóng được rút ra qua các hình thức cho thấy sự mềm mại, đường được vẽ trong các đường cong hình thức trọn vẹn, các dòng kẻ hình thức, độ cứng và đường dây đi qua trong mọi hướng bầu không khí", và những quy tắc áp dụng tốt như nhau với hướng của nét cọ (bàn chải làm việc) trong một bức tranh. | The Project Gutenberg eBook of The Practice Science Of Drawing by Harold Speed. iff Vfcryinf Ehlclrnni ai ptiill tafort Plate XXVIII. SET OF FOUR PHOTOGRAPHS OF THE SAME STUDY FROM THE LIFE IN DIFFERENT STAGES No. 3. The same as the last but with the shadows added variety being got by varying thickness of paint as before. http www.gutenberg.org files 14264 14264-h 14264-h.htm 57 of 147 3 9 2006 11 03 42 PM The Project Gutenberg eBook of The Practice Science Of Drawing by Harold Speed. Plate XXIX. SET OF FOUR PHOTOGRAPHS OF THE SAME STUDY FROM THE LIFE IN DIFFERENT STAGES No. 4. The completed head. In the chapter on line work it was stated that Lines of shading drawn across the forms suggest softness lines drawn in curves fulness of form lines drawn down the forms hardness and lines crossing in every direction atmosphere and these rules apply equally well to the direction of the brush strokes the brush work in a painting. The brush swinging round the forms suggests fore-shortening and2fulness of form generally and across the forms softness while the brush following down the forms suggests toughness and hardness and crossing in every direction atmosphere. A great deal of added force can be given to form expression in this way. In the foreshortened figure on the ground at the left of Tintoretto s Finding of the Body of St. Mark the foreshortened effect helped by the brush work swinging round can be seen see illustration page 236 Transcribers Note Plate XLIX . The work of Henner in France is an extreme instance of the quality of softness and fleshiness got by painting across the form. The look of toughness and hardness given by the brush work following down the forms is well illustrated in much of the work of James Ward the animal painter. In his picture in the National Gallery Harlech Castle No. 1158 this can be seen in the painting of the tree-trunks c. The crossing of the brush work in every direction giving a look of atmosphere is naturally often used in painting .