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The Adobe Photoshop Layers Book- P9

The Adobe Photoshop Layers Book- P9: This has been the best and easiest book project I’ve ever worked on, not in small part due to the eff orts of the publisher and other current partners and friends. Thanks to the crew at my new publisher, Focal Press: Paul Temme for taking his email seriously; Emma Baxter for having the good sense to see the value of my proposal | The Adobe Photoshop Layers Book 4. Activate the Green Component layer and turn on the view. Invert the layer content Command I Ctrl 1 change the mode to Overlay androOucetheopauity to 24 .ThisshoUld darken tUe bt The rated oud lighCen theuetalt. Icvertin ga4u layer chtnges tie eonrenttoa negative oOtdg original in this case maMnguheoetdlsligOtueduee Or du trriiKirUk is tde Green Crmpgarutlayea. 5. Activatetho hire uo rnpoeert I ayer aud turnonttn viuWiApplu a GaussdnOkic ohlOuinuMhange the mode to Soft Light and change tg t Pn tiantohd .h1isWHittirvot ru th Utaee roughnrsd rhshdbluhcomponens andullowlnthOeappliodto enhancgrduto ttiast and roOtenth e lrn age both tttltsoirre time seethe resultinligute8.21 . FIG 8.21 Using the same components as from the original procedure with different mode and opacity creates a much different result. J Layers X Soft Light tor H 100K H 1 Luminosity 1 É3I p 1 Blue Component 1 I Green Component Screen Red Component r Composite I Source 214 Breaking Out Components This calculation will actually not be likely to produce a good black-and-white conversion on many images. The point is that depending on whereyou start howyouseeanima ge and e ow you use shecoytentno make eelcalaotons youcaneomnhgoery differenteghsJf yooy ni p ho Mayen nonerirnent ay rc cone nhe Blue Component leye ael sae wherethatleads. Seei s u ann envisionche resuht you wata te gat aa dattw orieusiegwhat you knowaboue la act. Summary Separations are the core of another powerful element of Photoshop Channels. Channels are a powerful tool in their own right howgoenrWyy n eymwateUced corn Sa tothei rcawrSH i t they cannotaalWmefoCShyaelssadchae nelft netians unnecetsora- rrc Phsepnrahydconrpoeenhae deheriWeO mehi r chapter nrveeoy u trpnotnWoah flexor. Hrywltn rnoyyp i ipattoayf compoaeathieamore stro ghtterward iW tthsil1 usĩngehaen els or chanenltsrecOons. Waaer hnhymponentscan teln ane Ossae away froa noas yfryto rCa h rnitatinasctchn ncanrbut aIspoS other tools such as